How to Create 3D instagram photo Frame Effect | Photoshop Tutorial
in this video I'm going to show you how,to create this 3d Instagram effect using,Photoshop so let's get started hey,what's up a stool here and as you can,see this is the final output actually,I'm going to show you two different,versions one you can see right now we're,subject is going from one post to the,another one and the second one is we're,just at the bottom single post effect so,whatever you like to create now,obviously before we start this effect,you have to take screenshot of your,Instagram page using your mobile phone,it should look like let me give you an,example I'm going to go to file open and,select the screenshot so here is the one,and open it now your goal should be to,take a screenshot in a way that you have,to post in a single page so as you can,see there's a little bit of this post,and little bit of this post in the main,portion that we will use is at the,middle so make sure that it looks,something like this okay so now you have,your screenshot into the Photoshop what,we'll do next,first of all we don't need this top,portion you can straight up delete it so,double click on your background hit OK,after that get your marquee tool from,here and make a selection now at first,it will be quite difficult to get the,exact selection right so what you can do,is make sure that the marquee tool is,still selected then right click and you,have to click on transform selection so,transform options will come up now you,can zoom in and put your selection,exactly where you need so I'll say try,to be as precise as possible so okay,that looks nice then you can hit enter,to confirm it and then delete because we,don't need it then we'll do select and,deselect now another problem we cannot,upload photo this long on Instagram of,course we have to crop it so instead of,doing it in Instagram we're gonna do it,here so we know how it will look like so,go and grab your crop tool and here you,have ratios since the ratio go and click,on 4 by 5 and this is the longest photo,you can upload on install ends down so,I'm gonna go and confirm it but before,you do that extremely important make,sure that your delete raw pixel option,is off other,his Photoshop will delete this rest of,the photo and we don't want that so make,sure it is off then go and confirm it,and the setup is ready now we can add in,the model for that you can go to file,and select place embedded and you can,select any model that you want to put in,so let's start with this one the model,where is sitting and place it and,confirm it now we need to remove the,background and you can do it any way you,like but for this one I highly recommend,using pen tool because it's really,complicated background,you,okay we are done with the pen tool and,to,into selection all you have to do is,press command enter and it will turn it,into a selection and then you can apply,a layer mask so go and click on this,third icon and the model is out from the,background if you're a beginner I,recommend don't use this type of images,because it will be difficult to cut out,rather than use something with simple,background that you can easily select,now for this one I want model to be at,the bottom so I'm going to activate my,layer 0 get my move tool and put it down,and when you do it hold your Shift key,so it doesn't go to the left or right,and you can put it exactly here like,this and to the model I'm gonna go and,place her a little bit here and here's a,tip you can once you have selected your,marquee tool use your arrow keys to,bring her down or up wherever and zoom,in so you can see that she is aligned,properly of course it's not gonna be,perfect but try to do your best and that,looks decent the moral is little bit,bigger than I want so I'm gonna press,command T and make her bit smaller,now let's set the background photo go to,file place embedded and select any photo,that you want to use it back use this,back shot so I'm gonna select this sky,place it,and of course it needs to be under,everything so take this guy and put it,under your layer zero and then I'm gonna,keep it here you can press come on T and,make it as big as you like,and use the perfect portion,background is ready model is ready now,the most important part creating the,contact shadows to sell this effect,otherwise it looks kind of flat like,she's floating I don't like that for,that activate your layer zero and create,new blank layer now this should be above,your layer zero the Instagram screenshot,and under your model that's it then,double click here and I'm gonna rename,it to contact shadow and good after that,right click here and select create,clipping mask now this has this really,nice benefit once you get your brush,tool and when you paint it will only,stay on the screenshot it won't go,outside for example if I release the,screenshot sorry isn't clipping mask,release clipping mask and it goes,outside everywhere we don't want that,right so right click and create clipping,mask and it will only stay there clear,good so we have
Let's move on to the first section of look instagram 3d
Trendy Instagram & TIKTOK 3D Rose 🌹 Suzie is the Student • 1st Try!
Trendy Instagram & TIKTOK 3D Rose 🌹 Suzie is the Student • 1st Try!
you've seen them those beautiful 3D,roses I've never done them watch me,become the student,I've never done this design but I've,been dying to try it because it's,beautiful so I thought you know 2023 is,a new year I'm going to start off,learning some new things so the first,thing I'm going to do is that I'm going,to lay down I'm going to do this with,gel by the way you can do it with,acrylic and I didn't know which way I,was gonna go,but I like the colors of the gel that I,had so and it layers better but I'm,going to put down a thin layer of my,sculpting gel first I have prepped this,nail and I put my bonder on which is,called Bridge,for gel specifically if you're using gel,you want the bridge,and I want to put this layer on simply,because I am putting color directly onto,my nail plate and I do not want to put,direct color or color directly on to my,nail plate and when you're hearing your,thumb pick your gel lamp up like this,and shove your thumb in like this and,then carry it,so I've watched a few videos but I'm,going to do this with trial and error so,to teach myself from what I've learned,so I'm going to form it up,okay so there is a reason when you see,this design why the concentration of the,flower of the petals is in the center,not here and not near the cuticle,because you need the depth okay so I'm,going to start with this really deep,mauve color,what we want to do,is get a fair bit on your little working,surface here and you want to keep some,of it dark and then I'm going to mix,with White,put a white down,leaving a space in between because what,we're going to do is we're going to mix,the two colors together,some of the purple,and make a very soft color,several Shades you got in there,that's what we're looking for so you've,got like literally Three Shades there,this darker one this middle of the road,one and then the lighter one,very pretty,so we want to do a start with a darker,color first and then go to the lighter,color as you spread the rose out if you,look inside a rose the deeper color of,the Rose whether even if it's white it's,a darker white in the center,now remember I do have that layer on,there to protect,directly onto the nails I don't have to,when I'm removing it I don't have that,stain,a nice Circle right in the center there,and I'm just going to stick it into the,lamp and give it just a flash here you,could do like 15 seconds,okay so when you get that first color on,there get a little bit of your hard gel,and you want to put a bead directly on,that spot,the center of your rose,trying to get it to release okay there,we go,but that should settle for just a tiny,little bit let it spread just a little,bit,if you look at it sideways see that it's,a little bump,okay so once you get that where you want,it then give it a little bit of a nuke,this is going to be a series of color,nuke color nuke color nuke color nuke,the whole thing,but just like 10 15 second flash care,okay so this is where we get into the,depth now so this is the very center of,the Rose so now we want to take we can,even still work with this darker color,that can even sort of do that little,blend you can see me sort of mixing the,blend between the two colors to make it,a shade lighter and you don't have to go,lighter yet what I'm going to do now is,I'm going to put this across one side,and across the other side,okay and I'm going to cure again flash,care,and every time you make color like that,you want to get another bead of the,sculpting gel,this is what I've learned we'll see what,it turns out like we'll see how good my,advice is near the end,we're sort of learning together this is,really quite a learning curve so if you,are trying to attempt this,you know this is a bit of more of an,advanced,art,so I'm going to put this clear and you,can you can try to keep that bead,on this thing that I've done with a tiny,little bit of more of a spread,okay I'm gonna give it a little bit of a,nuke,okay so now that you've determined your,center now we want to make sure the,leaves are looking like it's kind of,going over so you have to make sure that,the clear in between is wide enough and,spreading enough to give the illusion of,those petals going over and how you get,that look is by doing this so I'm going,to go a little bit lighter with the,color,and I'm painting The Petal,over top,and I'm also going to paint it,on the landing part of it maybe I'll,even use the darker color,foreign,the color now a little bit,spread that color,okay I'm gonna give that a nuke,and once you've cured that we want to,get another bead again this is where all,the layering comes in,another bead of your gel,and drop it right on that bead,and let it work as far as the spread,goes so all the color that I've applied,there I'm going to stretch this bead all,the way out,to cover that,you see why it's important to start that,High part of it the Deep part of that,flower in more of the Apex area as,opposed to down here because you don't,have a lot of height down there Na
After seeing the first section, I believe you have a general understanding of look instagram 3d
Continue the next second section about look instagram 3d
Instagram 3D Pop Out Photo Effect in Photoshop [Free Editable Template!]
Instagram 3D Pop Out Photo Effect in Photoshop [Free Editable Template!]
have you ever seen those cool instagram,posts that make it seem like the subject,is jumping right out of the photo in,this video i'll show you a simple method,to create this effect okay let's get,started this is the document that we're,going to work with it only contains one,layer which is basically a screenshot of,an instagram post,and if you want to use this file i'll,place a link to it down below in the,description,and to show you how this effect works,i'm going to use this photo by hannah,bussing from unsplash again i'll place a,link to this photo down below in the,description but you can use any photo,that you want,the first step is to get this photo into,our working document and with the move,tool selected all i need to do is click,and drag this image onto the tab that,we're working on,photoshop will switch automatically and,once you release the photo will appear,on your working document,first i'll name this layer and i'll call,it outside,because the contents of this layer will,appear outside of the instagram post,then i'll duplicate the layer by,pressing ctrl j on windows command j on,the mac and i'll rename it and call it,inside,because the contents of this layer will,appear inside of the instagram post,i'm gonna place this inside layer,at the bottom,of the layer stack in this document so,directly below the instagram overlay and,if i disable the outside eye icon you'll,disable the layer of course and you'll,see that this layer the inside layer is,what appears inside of the instagram,post,and this outside layer will cover the,pixels over the instagram overlay and,this is going to help us create our 3d,effect but before we do that i need to,select the outside layer hold ctrl on,windows command the mac and click on the,inside layer when only those two layers,are selected not the instagram overlay,i'm going to click on this chain link,icon to create a link between these two,layers,this will allow me to transform and move,them at the same time and i don't have,to select both layers all i have to do,is select one layer and both layers will,move at the same time you can see that,in the preview here now,i'm going to disable,the outside layer for now because i want,to see where the,inside starts and i'm going to add a,guide there so that i could see where,that line is to add guides make sure,that you press ctrl r on windows command,r on the mac to enable the rulers you,can also go into view and select rulers,to enable or disable them,and you can click and drag,guides from either of these rulers,and here's a quick tip for you if you,accidentally go into the,vertical guides but you wanted a,horizontal guide don't worry all you,need to do is hold alt on windows option,on the mac and you'll flip it and you,can bring it down and place it where it,needs to go you don't need a perfect,guide i'm just using it for a quick,visual reference i'm going to enable the,outside layer again and notice that when,i move them again the other one moves,and if i press ctrl t command t to,transform i can transform them at the,same time notice that i can't see the,transformation handles because they're,outside of the canvas and in order to,zoom out and see them all you need to do,is press ctrl 0,that's command 0 on the mac and this,enables the bird's eye view which will,zoom out until you can see the,transformation handles,and i can click and drag on these,handles and,scale this layer and more or less this,is where i want my model and here's,another trick if i press ctrl 0 command,0 on the mac again,this time photoshop instead of zooming,out it'll zoom in so that the,transformation handles are closer to the,edges of the screen and at this point i,can hit the check mark to commit the,changes i'm going to double click on the,hand tool to fit the image to screen so,that we can see what we're doing what i,need to do now is make sure that this,outside,image is only showing the girl jumping,nothing else so i need to make a,selection around her and all i need to,do is go into the quick selection tool,and click on select subject this will,use adobe sensei this is adobe's,artificial intelligence it will try to,find the main subject of my image and it,will select it in this case it does a,fairly good job there's a few problems,that i'm going to fix simply by holding,alt on windows option on the mac and,clicking and dragging to deselect so i'm,deselecting these areas that don't need,to be selected i just want her selected,and it doesn't need to be a perfect,selection because most of her body will,be,in the actual post not outside of it so,we don't need to worry about it too much,all i need to do is make sure that her,feet and the lower parts of her body are,properly,selected and properly masked so with a,selection active all i need to do now is,click on this icon to create a new layer,mask and notice now that this layer only,contains her body and if i select the,move tool i can click and drag her and,notice that all i get is,her body creating
After seeing the second section, I believe you have a general understanding of look instagram 3d
Continue the next third section about look instagram 3d
Create a 3D Text Design in Adobe Illustrator Tutorial
Create a 3D Text Design in Adobe Illustrator Tutorial
hey guys you're watching dansky and in,this tutorial we're going to learn how,to create some 3d text in adobe,illustrator,right here so we're now in illustrator,first of all i'm going to grab the type,tool,click anywhere and type some text i'm,going to go with hello world ah classic,next with the text selected i can change,the alignment to center and i'm,definitely going to make the text bigger,because at the moment it's tiny there we,go that's much more legible now i'm,going to pick a font i'm going to go,with control point which is a custom,font currently in development and i'm,going to decrease the leading slightly,leading is the space in between the,lines,there we go slowly decreasing that,leading and i'm actually going to bring,the leading in very tight because when,the text is 3d i want the words to stack,perfectly okay that's looking good so,with the main selection tool i'm going,to hold shift and scale this up from the,corner and then pop it in the center,next from the fill color picker i'm,going to double click on one of the,lightest greys check global and then,click ok,i'm next going to do the same for a,slightly darker gray,and again an even darker gray so i've,got my three grey global swatches i'm,now going to pick the lightest one for,my text color now i can grab the,rectangle tool and draw a big box there,we go i'm going to resize this to fit,the artboard,and then i can right click go to arrange,and send to back,next i'm going to go to the gradient,panel if you don't see this go to the,window drop down at the top and you can,see i'm starting with the default black,to white gradient i can reverse it,adjust the angle but i can also double,click on the swatches and i can pick my,own colors so i've got the medium gray,here for one and then the lightest grey,for the other,now with the giant rectangle selected i,can go to object lock and selection just,so i don't move it around by mistake now,with my text selected i can go to type,and create outlines so illustrator will,now treat my text like a regular shape,the text is no longer editable and i can,go to edit copy and then edit paste in,place and with this copy selected i can,then select the darkest of my three,swatches from the swatches panel and,then scale this down towards the center,holding alt or option and shift i can,then right click this text go to arrange,and select send backward this will make,sure it's behind the white text and with,both text objects selected i can go to,object blend and select make and you can,see we have this kind of inbetweeny,stage which doesn't look quite right so,let's go back to object blend and select,blend options make sure the preview box,is checked and then from the drop down,let's select specified steps increase,the number using the arrow keys or just,enter in a really high value the higher,the number the smoother the gradient so,i'm going to go with 500 and i can,double click the object to go inside and,if i move either of these text objects,around illustrator will try and maintain,that blend accordingly and the same,works for swatches so if i change one of,the colors that graduation from one,color to another will be updated now i,can hop into outline mode with command,or control y this technique can often,times make it much easier to make a,selection so in this case i want to,select the smaller text at the back,and now i've made the selection i can,come out of outline mode pick a,different color and you can see it,updates in real time and i'm actually,going to double click this color check,global and now i have a much much darker,gray and if i make that text smaller or,larger that blend is also updated,oh no that looks terrible once you're,finished you can come out of isolation,mode by clicking the arrow in the top,left corner,but i am going to quickly double click,the text to go back inside select that,top text,go to edit,copy,come back out of isolation mode and then,go to edit and select paste in front,and with the text selected which,technically isn't text anymore i can,then select the eyedropper tool and,click on the background this will apply,that gradient to the text and then from,the gradient panel i can make some,adjustments to the settings,now one thing you'll notice is that the,gradient is applied to each shape,individually to apply it to the entire,object as a whole go to object down to,compound path and select make,if it does do this and changes it to a,weird random color just re-sample that,gradient again and reapply those,settings,next i'm going to select the text press,a which is the shortcut for the direct,selection tool copy and paste this in,place and then from the transform panel,on the right click this icon to flip the,text vertically i can then drag this,down holding shift until it lines up,with the bottom of the text this is,going to be for the reflection and again,i'm going to right click this go to,arrange and send backward just to make,sure it's behind the main text then i,can go and
After seeing the third section, I believe you have a general understanding of look instagram 3d
Continue the next fourth section about look instagram 3d
How to Create a 3D Pop-Out Effect in Photoshop
How to Create a 3D Pop-Out Effect in Photoshop
let me show you how to create a 3d,pop-out photo effect in photoshop in,this video you will learn how to use a,combination of layers and layer masks to,create the illusion that the,skateboarder is jumping out of the phone,this tutorial is one of my in-app,photoshop tutorials you can open the,asset file directly from your,installation of photoshop and follow,along with coach mark showing you each,step of the process,to open this tutorial in photoshop go,into the discover panel by clicking on,this icon or by pressing ctrl f on,windows that's command f on the mac,click on hands-on tutorials then scroll,down until you find this tutorial or,type create a 3d pop-out photo effect in,the search bar,then click to open the tutorial next,press the blue start tutorial button to,open the tutorial image in photoshop you,can follow along with the guided,on-screen overlays or this video no,worries if you don't have the latest,version of photoshop you can follow,along with older versions as well by,downloading the tutorial files from my,website the link is in the description,we're going to work with this file it,contains two layers a phone and a,skateboarder,start by clicking on the skateboarder,layer to activate it then duplicate it,by pressing ctrl j on windows that's,command j on the mac or if you prefer,you can go into the layer menu and,select,new layer via copy,next turn off the visibility of these,layers by clicking on both eye icons,then click on the background layer to,activate it,from the toolbar,go into the object selection tool and,select the magic wand tool nested under,it the magic wand tool is excellent for,selecting large blocks of a single color,like the white phone screen,all you need to do now is click once on,the white phone screen to select it,next bring back the visibility of the,original skateboarder layer by clicking,on the empty square to the left of the,layer thumbnail,then click on the layer to activate it,and click on the layer mask icon from,the layers panel to create a mask based,on the active selection,this layer mask will hide most of the,skateboarder image and only show it on,the phone screen,next click on the empty space to turn on,the visibility of the layer and click on,the layer to activate it,then go into the select menu and choose,subject this command will use artificial,intelligence known as adobe sensei to,analyze the image and create a selection,around the main subject,again click on the layer mask icon to,create a layer mask from the active,selection,this mask will hide the background from,this layer and only show the,skateboarder by having the background,displayed on the phone and a layer,showing only the skateboarder that,extends past the edges of the screen you,will create the illusion that the,skateboarder is popping out of the phone,although the artificial intelligence did,a great job in selecting the,skateboarder the selection was not,perfect you will need to fine tune the,layer mask you can do so by selecting,the brush tool from the toolbar and,paint on the layer mask with either,black or white,to hide or reveal pixels,for example you can set the foreground,color to white,and reduce the brush size by tapping on,the left bracket key on the keyboard,and paint with white to reveal the,missing areas of the skateboard,this next part is not in the in-app,tutorial but i thought it would be a,good idea to show i really think that,you're going to enjoy this technique if,you enjoy it make sure that you click on,that like button when creating this,effect sometimes you may need to,reposition the main subject,if you select the move tool from the,toolbar and move the layer you will see,that the effect no longer works,to keep the effect active as you move,the layers hold shift and click on both,skateboarder layers,then click on the link icon on the,bottom left of the layers panel to link,these layers together linking layers,allows you to move or transform two or,more layers by adjusting one of the link,layers no need to select multiple layers,then unlink the phone screen layer mask,from the layer by clicking the link icon,between the layer thumbnail and the,layer mask thumbnail unlinking a layer,mask from a layer will allow you to move,the layer without moving the mask now,when you reposition the skateboarder you,will maintain the 3d pop-out effect,remember to check out all my in-app,photoshop tutorials in the discover,panel like my tutorial on creating the,perspective bending effect you can watch,it here my name is jesus ramirez thank,you so much for watching
After seeing the fourth section, I believe you have a general understanding of look instagram 3d
Continue the next fifth section about look instagram 3d
Unlocking The Hidden Lasers on Your Phone To Make 3D Images
Unlocking The Hidden Lasers on Your Phone To Make 3D Images
hey everyone today i'm going to be,showing you how it's possible to use,your smartphone as a 3d scanner,to give you complete 3d images of,yourself or objects,did you know if you have an iphone 10 or,later that your phone actually has,lasers in it and it shines out lasers at,you to do facial recognition,and actually if you have an iphone 12 or,later it actually has little lasers that,shine out of the back of your phone as,well,so in order to do facial recognition on,your phone you can't just use a,traditional camera,because it has to be able to tell the,contours of your face to recognize if,it's actually your face,so what facial recognition does is it,actually sends out a grid of laser light,now this laser light you can't see,because it's infrared lasers,but you can still see these if you just,have a security camera that uses night,vision,so i'm just going to be using one of the,cameras in my house that has night,vision,which means it can see infrared light,and you can actually see these,grids of laser lights coming out of the,phone so for example i'm standing here,you're,seeing me through infrared light it's,actually dark in the room and looks more,like this so you can see the screen of,my phone here on the regular camera i'm,still here but it's,too dark to see but on infrared you can,see it just fine but here's the crazy,thing watch what happens when i turn on,my phone and look at it through,facial recognition here's what it looks,like with regular light,so you don't notice anything,but here's what it looks like through an,infrared camera turn it on,so you can see that it looks like a,flashlight here that i'm aiming at the,camera,but what's cool about this is notice the,pattern that it's shining on me,it's not just straight light but it's,actually little dots,when i shine it on the wall back there,and what it does is it shines those,laser dots on the user's face,and then it estimates the shape based on,how those dots are deformed in the array,now this is really cool technology and,what it means is that you can actually,use facial recognition to scan,other 3d objects and there's different,apps that do this,for example here i'm using an app called,scandi pro,where i've scanned my sun's stuffed,animal or you can just scan your face,for example here's my face,so just in a few seconds i can get a,complete 3d image of my face,you can even export this as an stl file,and 3d print your face if you want to,now the color is added through the,camera if you don't use color it would,look something like this,but what's even cooler is with the new,iphone 12,they added something that was seemingly,untouchable to regular people,lidar lidar works by sending out lasers,and seeing how long it takes for the,laser light to be reflected back,and so based on how long it takes the,reflection to return you can tell how,far away something is because we know,that the speed of light is constant,and if you repeat this process with a 2d,grid of lasers,that means you can get a,three-dimensional pattern or a point,cloud they call it,of all the different points in space of,any object or room that you're in,so you just shine it around your room,and you end up with a 3d image of the,room like this,so cool my favorite thing to do is use,this in a room with a mirror,and in your 3d image it looks like that,mirror is actually a portal to another,room,so here's what would be the reflection,but you can see it actually looks like,another room over there,now on the back of your phone if you're,using lidar the array is not as fine,there's not as many dots but they can,reach further distances,so you can see here's the array they're,a lot brighter they're not as close,together though so the resolution isn't,as good,but what's really cool about this is in,a completely dark room,you can scan it using infrared light,so your phone is seeing what's in a,completely dark room,so you can see the contours of the room,that would normally be pitch black to it,but because it's using these infrared,laser dot it can see the contours of the,room,so it's almost like i have this infrared,camera here,can look around the room,so the lasers on the front of your phone,don't use lidar but they they're,actually looking at the different shapes,of the dots and how they,deform in the array when you shine on,something that's three-dimensional,but on the back of your phone they,actually use lidar technology which,is sensing how long it takes the light,to reflect back to it,so because of this the one on the front,of your phone is more sensitive,and can get down to as little as one,millimeter resolution,whereas on the back of your phone it's,meant for like big rooms and stuff,and iphones even use it to quickly be,able to focus the picture,faster than just visual cues could do,when you're trying to take a picture of,something,and so no matter how much light there is,in the room even in low light the lidar,still works and so you can focus the,image really well in low light,it used to
After seeing the fifth section, I believe you have a general understanding of look instagram 3d
Continue the next sixth section about look instagram 3d
Create Facebook 3D Photo From ANY photo in Photoshop! - Easy!
Create Facebook 3D Photo From ANY photo in Photoshop! - Easy!
today I will show you how can really,easily create those cool 3d images for,your Facebook posts so let's start hey,guys its name Anja and welcome to,another really fun episode Facebook,recently announced that from now on we,can upload those really cool 3d photos,from our personal computers which is,really good because we don't need to use,just our phones anymore to take a photo,with a port adoption to generate that,map inside the phone and then upload it,to Facebook to have that really cool 3d,effect from now on we can do that with,any photo that we want with a little bit,help of Photoshop which I will show you,in a couple of moments but before that,let me tell you that this episode is,sponsored by Skillshare for you guys who,don't know Skillshare is really big,online learning community with more than,25,000 classes in Photoshop Illustrator,Premiere Pro After Effects design in,general I don't know Photography,videography business marketing just name,it they have it their really cool place,to go to funeral creativity to improve,your skills to learn some new skills etc,I personally love to gain new skills and,to improve my current skills so I use,Skillshare currently I am watching there,some lessons in marketing and business,and they're really really good also guys,let me just show really quickly you can,go to skill share and just type,Instagram for example and you have,Instagram stories hacks for success,brand new Instagram how to collaborate,with Instagram influencers etc etc a lot,of topics for Instagram or if you want,type Facebook you have a lot of topics,from Facebook how to gain success of,Facebook Facebook groups Facebook,marketing etc etc maybe you're in the,photography or low-light photography or,whatever you have ton of classes there,in photography food photography / -,photography portrait photography,whatever you want they have it so they,are really affordable - an annual plan,is less than $10 per month so that's,really cool but for first 500 review,guys of my subscribers who used the,links down there in the description you,will get two months completely free,trial of premium premium account on,Skillshare so that means that you,we'll get unlimited access to all the,classes there two months completely free,after that you can choose if you want to,continue with the subscription or not,that's completely up to you but be fast,use the link down there in description,and take advantage of this two months,completely free right guys now let's,jump straight in Photoshop and let the,fun begin this is a photo that I did,just for fun a long time ago and,actually I did similar tutorial with the,Darth Vader instead of my friend right,here who is acting as that Dracula so if,you want to check out how to create this,kind of photo manipulation you can watch,it on the link right here and also we,will use this photo to create this,really cool 3d effect actually guys if,you're following me on my Facebook page,you already know that few days ago and,Friday actually I published this same,photo as a 3d photo where I was asking,you guys if you would love to see how to,create this kind of fact and a lot of,you guys said that you would love to see,a tutorial on that topic so here is the,tutorial so before we continue creating,a 3d effect out of this photo let me,tell you something about a theory nobody,likes theory but this is really short,for having a 3d photo on Facebook you,need basically two files one it's for,itself and another is depth map what is,the depth map,it's nothing scary it's really actually,simple thing it's grayscale,representation of the same photo that,contains information about the distance,between the object in that photo view,from a certain viewpoint so it's really,easy so that map will tell you how,further away or closer to the viewers,eyes are the object on that photo and,it's real easy to create that map in,Photoshop sometimes can be just a little,bit more time-consuming but it's not,hard at all and it's much easier if you,have your PSD file your photo,manipulation with PSD file already,because you have everything extracted,our hero in this case Tie Fighters pile,of garbage that's where you have,everything extracted and ready to create,a death map out of it if not if you want,to use any other photo that you didn't,use for your composite or whatever you,can do that too you just need to make,selection of certain objects that you,want to,move in that 3d effect it's really,simple and easy so now we will create a,3d effect out of this we will create,actually that map and for this effect to,be even better you need to have at least,three layers of that so basically three,plants of that so in this photo we,basically have three plans the furthest,a plan is the sky then the middle plan,is the type are the type father's right,there and the first plan closest to the,camera is dark ruckus with a pile of,garbage this robot lightsaber etc so now,we need to create grayscale version of,these three layers of death and
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3D INSTAGRAM STORIES FROM ONE PICTURE! | AFTER EFFECTS + PHOTOMOTION
3D INSTAGRAM STORIES FROM ONE PICTURE! | AFTER EFFECTS + PHOTOMOTION
what's going on guys in this video I,want to deep dive into Instagram stories,if you follow our channel you probably,know we are always focusing on making,digital stuff look pretty and engaging,this video isn't going to be any,different and we are going to look at,how you can make Instagram stories that,stand out by adding 3d animation to them,with photo motion,now the question is is it really worth,spending your time on creating custom 8,stories well it probably is according to,Facebook half a billion users use,Instagram stories every day so the,potential Reach is just huge 40 percent,of daily stories users have become more,interested in a brand or a product after,seeing it on Instagram stories so it's,definitely beneficial for businesses as,well okay so we're gonna be animating,this picture I specifically chosen this,one because it is 9 to 16 so this is,9/16 so that will work quite well on,these two grams stories she will go in,one layer let's move on another layer,and this is going to be the background,and we obviously gonna put a couple of,text layers in between them as well,let's just jump straight to for emotion,alright so this is how fun emotion looks,like in After Effects double click on,start parallax button all we have to do,here is double click on add background,button just like this now we need to,bring that picture into After Effects,and from After Effects into for emotion,the easy way of doing it would be going,to file import file and then find your,picture s1 import and now you can see it,over here so it is inside of After,Effects we just need to bring it into,this composition down here and now we,need to scale it down obviously because,if you see it is quite large so you do,that by clicking on this little thing,and dragging it over to this first layer,and that will allow you to use this,scale attribute over here so just scale,it down then we're gonna close this,composition that will bring us back to,this previous one and our new button,appeared over here now as I said at the,beginning we're gonna be splitting this,image into multiple layers and one of,them is gonna be her and these things,over there that could be laying number 2,she will be late number 1 and in,background is background so just double,click on layer 1 and now we can import,that later now what we need to do here,is bring that image in again now as you,can see that image is way too big what,we have to do is scale it down but,because we already done in a previous,composition in the back,around composition we don't have to do,it again what we could do is just copy,those scaling attributes back to this,one and you do that by clicking on this,world icon again and dragging it over,here but there's one more thing you have,to do before you release and that is,hold down shift on your keyboard and,then release and that is going to copy,all of those scaling attributes to this,layer as well right so now we have this,layer down here so what we need to do is,cut her out from that image so,everything else is basically transparent,there are many different ways of how you,could do that I usually recommend you,know simple things like rotor brush over,here so just click on that,make sure your layer is selected and,then double click on that image click OK,and then you can just start drawing,lines like this and that should,calculate an approximate mask for that,image if you release it's calculated,this purple outline which is basically,telling you like okay that's gonna be,the mask now if you spot any areas like,this one for example all you have to do,is just hold down alt on your keyboard,and start painting and that's gonna,remove it from that outline now there is,little catch with rotor brush one thing,you have to do is apply that roll to,brush so it actually applies throughout,your whole timeline because otherwise,it's just gonna be applied on that frame,where you created it and there's a,little cool trick for it select that,layer go to layer and choose Auto trace,leave everything as it is and click OK,give it a few seconds and that will,create these points around that mask and,it actually created two separate masks,so if you hit M on your keyboard it's,gonna open that thing down there not,much you have to do here only switching,this none to adds and because this mask,2 is actually this area over there so,are we gonna choose subtract because we,want to subtract that area from the,whole mask and at that point we can just,delete this rotor brush effect because,we don't need it anymore right so this,is done we can close it get back to this,main dashboard composition and you can,see there are plenty of new buttons and,you,that you can play with now what I,usually recommend doing is set up your,layers first and then go to animation,let's just double click on layer number,two and let's do the same thing as we,did with layer number one so now we have,her in one mask like a base those things,are in masks - and then obviously,background it's a backgroun
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